JOHN HOOD is a non-objective painter of meditative forms on highly textured, mixed-media surfaces, heavily inspired by his lifelong affair with the sea. Raised in Los Angeles, his artistic journey began after he moved to the mid-west in the early 1980s, where academic studies initially took him in the direction of experimental filmmaking.

Over the past seven years, Hood has developed an intimate knowledge of the David Bermant Foundation Collection leading more than 150 tours. His personal observations of the viewers’ reactions to experiencing the artwork brings a deep insight into to the richness of the collection and its relevance to the art world.

ANNE NIEMETZ has been video-documenting the David Bermant Collection since 2004, and has created most of the visual documentation materials found on the Bermant website.

Operating in the field of New Media Art and Design, Anne’s creative work focuses on the convergence of design, technology, art and science. Her work is intentionally collaborative and interdisciplinary, manifesting itself in forms of interactive and non-interactive audio-visual installations, videos, wearable technology designs and electronic art.

Anne holds a Media Arts degree from the Staatliche Hochschule für Gestaltung Karlsruhe (HfG), Germany, with a focus in digital media and interactive sound installation. She continued her studies at the University of California Los Angeles (UCLA) where she received an MFA in Design and Media Arts in 2004. In 2007 she moved to New Zealand, where she holds the position of Senior Lecturer in Media Design at Victoria University of Wellington (VUW). Currently Anne is the programme director of the Bachelor of Design Innovation at VUW.

Christiane Paul will be discussing an essay she wrote while in residence at the David Bermant Foundation in May 2014 entitle, Virtual Volumes and Electric Choreographies, which looks specifically at kinetics and optics and abstract imagery within the David Bermant collection.

Christiane Paul is Chief Curator / Director of the Sheila C. Johnson Design Center and Professor in the School of Media Studies at The New School, as well as Adjunct Curator of Digital Art at the Whitney Museum of American Art. She is the recipient of the Thoma Foundation’s 2016 Arts Writing Award in Digital Art, and her books are A Companion to Digital Art (Blackwell-Wiley, May 2016); Digital Art (Thames and Hudson, 2003, 2008, 2015); Context Providers – Conditions of Meaning in Media Arts (Intellect, 2011; Chinese edition, 2012); and New Media in the White Cube and Beyond (UC Press, 2008). At the Whitney Museum she curated exhibitions including Programmed: Rules, Codes, and Choreographies in Art 1965 –

Color, Light, Motion – Episode 2 featured David Familian, the director of the Beall Center for Art + Technology and art historian, curator and educator, Karen Moss from USC Roski School of Art and Design. In this emergent conversation, Familian discussed Virtually Wise by Nam June Paik and Moss discussed the Wind Up Guitar by Christian Marclay, Alan Rath’s, Desktop Breather and NanoMandala by Victoria Vesna. The following dialogue expanded on the historical importance and relationship between the artworks as well as the inherent and hidden connections to artworks by Marcel Duchamp.

ERKKI HUHTAMO
In conversation with Victoria Vesna brought to you by the David Bermant Foundation

We are proud to announce the beginning of COLOR, LIGHT, MOTION, a collaboration with Harvestworks NY and the David Bermant Foundation. This new, online series will feature a media artist in conversation with one of the works from the Bermant Collection. Each artist will go over the selected artwork, in history and context, and then will present their own work and discuss relationships and contrasts between. These rich conversations will be unique, interesting and art-historical.

Visit:
davidbermantfoundation.org/artist/wilfred/
erkkihuhtamo.com/
artsci.ucla.edu/