The David Bermant Foundation is a proud supporter of One of Tate Modern’s most ambitious exhibitions to date, Electric Dreams offers visitors a rare chance to experience incredible works of vintage tech art in action – a look back at how artists imagined the visual language of the future.
Pictured above- Andrew Bermant, Wolfgang Strauss, Pei-Di Tsai and Monica Fleischmann
Entangled Attraction will be opening at the Butler Museum
October 27, 2024-February 16, 2025
Meet-the-artists Sunday, October 27, 1-3pm
Sally Weber and Craig Newswanger
Soundscape by Jonathan Crawford
On view at Tate Modern in London Nov. 28, 2024 – June 1, 2025, this historical exhibition will generate new knowledge and public appreciation of optical, kinetic, programmed, and digital art. Many artists from the David Bermant collection will be included in the show.
The exhibition celebrates the radical artists who began using machines and algorithms to create hypnotic and mind-bending art between the 1950s and the 1980s. From the birth of op art to the dawn of cybernetics, this major exhibition will be a rare chance to experience incredible works of vintage tech art in action, including psychedelic environments, sensory installations and machine-generated artworks.
Images: Otto Piene Light Room (Jena) 2005/2017 © Estate of Otto Piene / DACS 2023. Photo: Museum of Art Pudong.
INGEBORG REICHLE is a Berlin-based contemporary art historian and curator at the intersection of art and technoscience. In 2004 she gained her Ph.D. from the Humboldt University Berlin with the dissertation Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art (Springer 2009). In recent years she served as Professor in the Department of Media Theory at the University of Applied Arts in Vienna, Austria, and as founding chair of the Department of Cross-disciplinary Strategies (CDS), where she designed an integrated BA study program on applied studies in art, science, philosophy, and global challenges. Recent curatorial projects include the sci-art program NaturArchy at the Joint Research Centre (JRC) in Ispra, Italy, the European Commission’s science and knowledge service and the sci-art program NanoARTS by the Swiss Arts Council Pro Helvetia. In 2022 she joined the Board of Trustees of the ZKM Center for Art
IVANA DAMA was born and raised under the socialist regime in Belgrade shortly after the end of the civil war and during the time of NATO bombing. The tension between the former Yugoslavian countries was still undoubtedly present. Even though she was only a young child when the bombing began, images and sounds of the destruction still clearly permeate her mind. The memories of living in a small shelter with the sounds and vibrations of the air raid sirens have contributed to her interest in using air and sound as a primary medium. Her work, which includes audio-video installations, robotics, web projects, and music performances, explores the deep connections between sound, memory, and human experience.
Currently pursuing a graduate degree in Sculpture at Yale University, Ivana holds a previous degree in Media Arts and Digital Humanities from UCLA’s School of Arts and Architecture. Her work explores the
In its ongoing efforts to promote the David Bermant collection and his dedication to supporting creators of kinetic and technology art, the Foundation remains committed to generating interest and attention. Here are some exciting projects to anticipate in 2024 that will further highlight artists and institutions engaged with science and technology.
1. COLOR, LIGHT, MOTION: I look forward to the continuation of this bi-monthly online series curated by Victoria Vesna. This program features artists, critics, and curators relating their contemporary work to pieces in the David Bermant collection.
2. ENTANGLED ATTRACTION: Sally Weber’s new work, exhibited at the San Francisco Exploratorium from November 2022 through April 2023, is now on schedule for 2024 at the Butler. Visitors enjoy the swirling ceiling installation and are captivated by the chaotic pattern of the lights, which create orbiting traces suspended in the air. The accompanying Soundscape completes the immersive experience with a non-repeating, expansive orchestration.
Please see this short
GEORGE QUASHA is a poet, artist, musician and writer working in diverse mediums to explore certain principles (e.g., axiality, ecoproprioception). For his primary medium poiesis he has invented the genre preverbs as a medium of axial language and “linguality at zero point.” He extends axiality & poiesis to art, music, performance, and conscience body practice.
His ongoing video work was awarded a Guggenheim Fellowship (2006), principally for art is/music is/poetry is (Speaking Portraits), for which during the last twenty-three years he has recorded over a thousand artists, poets, and composers in eleven countries saying what art, music, or poetry is (art-is-international.org)—represented in the book art is (Speaking Portraits) (2016).
More about George Quasha.
GARY HILL is a pioneering artist of new media and video work. His video works incorporate commentaries on society and culture as well as bringing in poetic themes and ideas. Hill considers video as a medium
CLAUDIA SCHNUGG is curator and artscience scholar. She holds a PhD in social and economic sciences with an additional focus on cultural sciences and media arts. Her practice is twofold: as scholar she is researching artscience collaborations by investigating effects, impact, and value of processes and the relevance of the outcome. As curator, she supports and develops projects, programmes, and exhibitions at the intersection of art and science. Currently, she is curating projects at ESA/ESTEC, Institute of Stem Cells and Epigenetics at Helmholtz Center Munich, Science Gallery Berlin, works with Pro Helvetia, co-curator of Naturarchy Resonances IV of the SciArt Project at the European Commission’s JRC, and leads a project at Johannes Kepler University. Upcoming shows are CORALS at Science Gallery Berlin and Intersecting Realities in Timisoara.
More about Claudia Schnugg.
ANDREI TUDOSE is a cultural manager and curator, co-founder of Marginal and artist-run hybrid
Marisa Caichiolo is an artist and curator who studied art history and curatorial studies, she holds a PhD in art history and psychology.
Her research focuses primarily on the impact on social and political changes in society. She focuses on cultural exchanges researching cultural production fluctuating between theory and practice.
Her curatorial projects have been shown internationally, including MUSA Museum of Arts of the University of Guadalajara(Mexico); Kirchner Cultural Center, Buenos Aires, (Argentina); DOX Center for ContemporaryArts, Prague (Czech Republic); Frost Science Museum, Miami (USA); PVAC PalosVerdes Art Center, Palos Verdes (California); Building Bridges Art Foundation,Los Angeles (California); KATARA Cultural Center, Doha (Qatar); Sharjah Museum of Contemporary Art, Dubai (United Arab Emirates); Anaheim Muzeo Museum andCultural Center, Anaheim (California); Telefónica Art Foundation, Santiago(Chile); among others.
She is the founder of Building Bridges International Art Foundation an international non-profit organization based in SantaMonica, Los Angeles County. The foundation is conceived to be a platform for critical thinking, and researching; local and
