andrea

VAL RAVAGLIA is Curator, Displays and International Art at Tate Modern, London, and Curator of Electric Dreams: Art and Technology before the Internet. They assisted with the complete rehang of Tate Modern’s Collection Displays in 2015-16 and have curated numerous collection display rooms since 2012. They co-curated the Tate Modern exhibition A Year in Art: Australia 1992 (2021-2023) and led the touring Tate exhibition The Dynamic Eye: Beyond Op and Kinetic Art. They were the Assistant Curator for the 2017 Turbine Hall Commission by SUPERFLEX and Tate Modern’s Nam June Paik retrospective. Their research interests include the intersections of art, science, and technology, as well as non-anthropocentric philosophies and the posthumanities.

Read More

Responders

FRANCESCA FRANCO, PhD, is an independent curator, art historian, and producer based in the UK and Italy. Her research on the history of early computer art and its pioneers has been widely published and translated. Her recent books include Generative Systems Art

AMBER STUCKE is an interdisciplinary artist based in Los Angeles, California. She identifies her work within ideas of social relationships situated between artistic research, science and imagination. Through materials of sound and language, performance, installations, embodied and appropriated drawings, scientific prints and DIY artist books, her research interests include questions of symbiotic and rhizomatic relationships, Native American ethnobotany, local knowledge systems, plant-human relationships, evolutionary biology, consciousness, and the appropriation of visual scientific classification structures.

Since 2019, her interdisciplinary practice advocates for the preservation of Native American language, which is inspired by her early and continuing relationships with both Anishinaabeg and Lakota Sioux from growing up in the Chicago Metropolitan area.

Stucke holds a Master of Fine Arts degree from the California College of the Arts in San Francisco and has also had additional studies at Goldsmith’s College in London and The School of the Art Institute of Chicago. Her work has been exhibited at the Palm Springs Art Museum (Palm Springs, CA),

In the Belly of the Beast – Southern California Art, Technology, Science and Society Nexus – A Historical Landscape

MARKO PELJHAN is a distinguished artist, researcher, and professor whose work spans the fields of art, technology, and science. Born in 1969 in Slovenia, he has significantly contributed to new media art through his innovative projects and research. Peljhan co-founded the arts and technology organization Projekt Atol in 1992 and played a crucial role in establishing the Ljubljana-based new-media laboratory Ljudmila a year later.

One of his most notable projects is Makrolab, an autonomous communications and research laboratory focused on weather, climate, telecommunications and migrations research, First presented at Documenta X in Kassel in 1997. Makrolab has since operated in various locations around the world, including Western Australia, Venetian Lagoon and the Scottish Highlands. Peljhan’s work often addresses themes of surveillance, geopolitics, and environmental issues. Among others he co-founded the Interpolar Transnational Art Science Constellation in 2002 and in 2008 with

Ingeborg Reichle | Jean Tinguely’s Kinetic Sculptures and Living Machines

INGEBORG REICHLE is a Berlin-based contemporary art historian and curator at the intersection of art and technoscience. In 2004 she gained her Ph.D. from the Humboldt University Berlin with the dissertation Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art (Springer 2009). In recent years she served as Professor in the Department of Media Theory at the University of Applied Arts in Vienna, Austria, and as founding chair of the Department of Cross-disciplinary Strategies (CDS), where she designed an integrated BA study program on applied studies in art, science, philosophy, and global challenges. Recent curatorial projects include the sci-art program NaturArchy at the Joint Research Centre (JRC) in Ispra, Italy, the European Commission’s science and knowledge service and the sci-art program NanoARTS by the Swiss Arts Council Pro Helvetia. In 2022 she joined the Board of Trustees of the ZKM Center for Art

From Zero to Infinity: Otto Piene, Zero Group, and Their Legacy on Today’s Art

IVANA DAMA was born and raised under the socialist regime in Belgrade shortly after the end of the civil war and during the time of NATO bombing. The tension between the former Yugoslavian countries was still undoubtedly present. Even though she was only a young child when the bombing began, images and sounds of the destruction still clearly permeate her mind. The memories of living in a small shelter with the sounds and vibrations of the air raid sirens have contributed to her interest in using air and sound as a primary medium. Her work, which includes audio-video installations, robotics, web projects, and music performances, explores the deep connections between sound, memory, and human experience.
Currently pursuing a graduate degree in Sculpture at Yale University, Ivana holds a previous degree in Media Arts and Digital Humanities from UCLA’s School of Arts and Architecture. Her work explores the

The Syntax of Moving Awareness

GEORGE QUASHA is a poet, artist, musician and writer working in diverse mediums to explore certain principles (e.g., axiality, ecoproprioception). For his primary medium poiesis he has invented the genre preverbs as a medium of axial language and “linguality at zero point.” He extends axiality & poiesis to art, music, performance, and conscience body practice.
His ongoing video work was awarded a Guggenheim Fellowship (2006), principally for art is/music is/poetry is (Speaking Portraits), for which during the last twenty-three years he has recorded over a thousand artists, poets, and composers in eleven countries saying what art, music, or poetry is (art-is-international.org)—represented in the book art is (Speaking Portraits) (2016).

More about George Quasha.

Responders

GARY HILL is a pioneering artist of new media and video work. His video works incorporate commentaries on society and culture as well as bringing in poetic themes and ideas. Hill considers video as a medium

Experiencing realities: From fine-grained data to cosmic events

CLAUDIA SCHNUGG is curator and artscience scholar. She holds a PhD in social and economic sciences with an additional focus on cultural sciences and media arts. Her practice is twofold: as scholar she is researching artscience collaborations by investigating effects, impact, and value of processes and the relevance of the outcome. As curator, she supports and develops projects, programmes, and exhibitions at the intersection of art and science. Currently, she is curating projects at ESA/ESTEC, Institute of Stem Cells and Epigenetics at Helmholtz Center Munich, Science Gallery Berlin, works with Pro Helvetia, co-curator of Naturarchy Resonances IV of the SciArt Project at the European Commission’s JRC, and leads a project at Johannes Kepler University. Upcoming shows are CORALS at Science Gallery Berlin and Intersecting Realities in Timisoara.

More about Claudia Schnugg.

Responders

ANDREI TUDOSE is a cultural manager and curator, co-founder of Marginal and artist-run hybrid